Movement 3: Scherzo

Share this article:

The scherzo marks a return to the unrelenting march rhythms of the first movement, though in a ‘triple-time’ metrical context. Its trio (the middle section), marked Altväterisch (‘old-fashioned’), is rhythmically irregular (4/8 switching to 3/8 and 3/4) and of a somewhat gentler character. According to Alma Mahler, in this movement Mahler “represented the unrhythmic games of the two little children, tottering in zigzags over the sand”. The chronology of its composition suggests otherwise. The movement was composed in the summer of 1903, when Maria Anna (born November 1902) was less than a year old. Anna Justine was born a year later in July 1904. Contemporary interpreters and conductors appear to have accepted Alma Mahler’s characterization nevertheless.

Manuscript Movement 3: Scherzo.


Listening Guide

If you have found any errors or text needing citation, please notify us by selecting that text and pressing Ctrl+Enter.

Movement 3: Scherzo

Share this article

Mahler's newsletter.

Get highlights of the most important news delivered to your email inbox

By subscribing, you agree to receive communications from Mahler Foundation and accept our Privacy Policy.

Also in (1903-1905) Symphony No. 6 in A

(1903-1905) Symphony No. 6 in A

Listening Guide – Symphony No. 6

By Lew Smoley

(1903-1905) Symphony No. 6 in A

Orchestration Symphony No. 6

Woodwind 1 Bass clarinet A. Solo in Movement 1: Allegro energico, ma

(1903-1905) Symphony No. 6 in A

History Symphony No. 6

Composed Performances by Gustav Mahler Versions Publications 1906. Score by Kahnt music publishers.

Error report

The following text will be sent to our editors: