Compositions

Explore our curated collection of Mahler resources—carefully preserved and organized for researchers, musicians, and enthusiasts seeking deeper insights into his life and work.

(1885-1888) Symphony No. 1 in D

Movement 3: Feierlich und gemessen, ohne zu schleppen

Solemnly and measured, without dragging, very simple, like a folk-tune, once again

(1884-1885) Lieder eines fahrenden Gesellen, 4 songs

Lied 4: Die zwei blauen Augen von meinem Schatz

The final movement culminates in a resolution. The music, also reused in

(1884-1885) Lieder eines fahrenden Gesellen, 4 songs

Lied 3: Ich hab’ ein gluhend Messer

The third movement is a full display of despair. Entitled “Ich hab’ein

(1884-1885) Lieder eines fahrenden Gesellen, 4 songs

Lied 2: Ging heut’ Morgen uber’s Feld

The second movement, “Ging heut Morgen übers Feld” (“I Went This Morning

(1884-1885) Lieder eines fahrenden Gesellen, 4 songs

Lied 1: Wenn mein Schatz Hochzeit macht

The first movement is entitled “Wenn mein Schatz Hochzeit macht” (“When My

(1880-1887) Lieder fur Singstimme (piano), 5 songs

Lied 5: Phantasie aus Don Juan

The text from both the “Serenade” and “Phantasie” come from Tirso de

(1880-1887) Lieder fur Singstimme (piano), 5 songs

Lied 4: Serenade aus Don Juan

The fourth song in the collection was inspired by Tirso de Molina,

(1880-1887) Lieder fur Singstimme (piano), 5 songs

Lied 3: Hans und Grethe

The third song in the collection, “Hans und Grethe” is a wonderful

(1880-1887) Lieder fur Singstimme (piano), 5 songs

Lied 2: Erinnerung

The second song in the collection, “Erinnerung” (Remembrance), contains text by Richard