Mahler

Explore our curated collection of Mahler resources—carefully preserved and organized for researchers, musicians, and enthusiasts seeking deeper insights into his life and work.

(1892-1898) Des Knaben Wunderhorn, 12 songs

Lied 4: Wer hat dies Liedlein erdacht?

Wer hat dies Liedlein erdacht? is another pastoral setting and, as Verlorene

(1892-1898) Des Knaben Wunderhorn, 12 songs

Lied 3: Trost im Ungluck

Trost im Unglück describes the feelings of somebody trying to move past

(1892-1898) Des Knaben Wunderhorn, 12 songs

Lied 2: Verlor’ne Muh!

Verlorene Müh’ is another dialogue song, and it is in the distinctive

(1892-1898) Des Knaben Wunderhorn, 12 songs

Lied 1: Der Schildwache Nachtlied

Der Schildwache Nachtlied is a complex military-style song with trumpet calls and

(1888-1894) Symphony No. 2 in C ‘Auferstehung’

Movement 5: “Aufersteh’n”. Im Tempo des Scherzos. Wild herausfahrend

At the same speed as the Scherzo. In a wild outburst. The

(1888-1894) Symphony No. 2 in C ‘Auferstehung’

Movement 4: “Urlicht”. Sehr feierlich, aber schlicht

Primeval Light. Very solemn but simple (In the manner of a chorale).

(1888-1894) Symphony No. 2 in C ‘Auferstehung’

Movement 3: In ruhig fliessender Bewegung

Scherzo bases on Gustav Mahlers’ Lied 6: Des Antonius von Padua Fischpredigt (Des

(1887-1890) Des Knaben Wunderhorn (piano), 9 songs

Lied 9: Selbstgefuhl!

The final song, “Selbstgefühl” (My mood), starts with a dynamic of forte.

(1887-1890) Des Knaben Wunderhorn (piano), 9 songs

Lied 8: Nicht wiedersehen!

Balancing the soft low texture with piano remains one of the main