Montparnasse cemetery is part of the city's 14th arrondissement. Created from three farms in 1824, the cemetery at Montparnasse was ...
Moors between Hilversum and Laren
Year 1906. 10-03-1906. Gooische steamtram. Gustav Mahler himself in the Netherlands (1903, 1904, 1906, 1909 and 1910). Walk Gustav Mahler ...
Moritz Baumgarten (1826-1913)
No photo. Moritz Baumgarten. Year 1879. 1879-1879 House Moritz Baumgarten Teteny. Mahler was piano teacher for Herr Baumgarten's three sons and ...
Moritz Frauscher (1859-1916)
Moritz Frauscher (1859-1916). Profession: Bass. Relation to Mahler: Worked with Gustav Mahler. Correspondence with Mahler: Born: 13-08-1859 Mattighofen, Austria. Died: 01-02-1916 Vienna, ...
Moritz Gallia (1858-1918)
Moritz Gallia (1858-1918). Profession: Director of Auers Gasglühlicht-AG. Relation to Mahler: Gustav Mahler mentioned Hermine Gallia 31-08-1903 in a letter ...
Moritz Nahr (1859-1945)
No photo. Moritz Nahr (1859-1945). Profession: Photographer. Secession (member). Residences: Relation to Mahler: Correspondence with Mahler: Born: 04-08-1859 Married: Antonie, piano teacher ...
Moriz Grunfeld (1819-1882)
No photo. Moriz Grunfeld (1819-1882). Profession: Leather merchant. Residences: Prague. Relation to Mahler: Mahlers landlord in Prague, 1871. See House Gustav ...
Movement 1 in A
Gustav Mahler score Klavierquartett, piano quartet, Movement 1: in A. Listening Guide ...
Movement 1: Adagio
275 bars drafted in orchestral and short score. The very opening of the symphony (which is in the key of ...
Movement 1: Allegro energico, ma non troppo
The first movement, which for the most part has the character of a march, features a motif consisting of an ...
Movement 1: Allegro maestoso: Mit durchaus ernstem und feierlichem Ausdruck
Based on the poem Todtenfeier by Adam Mickiewicz. With deeply serious and solemn expression. With this funeral march and the ...
Movement 1: Andante comodo
The first movement embraces a loose sonata form. The key areas provide a continuation of the tonal juxtaposition displayed in ...
Movement 1: Bedachtig-nicht eilen-recht gemachlich
Moderately, not rushed, Sonata form. Flutes and sleigh bells open the unusually restrained first movement (and used later with a ...
Movement 1: Kraftig. Entschieden
"Pan Awakes, Summer Marches In" Strong and decisive. D minor to F major. The symphony, particularly due to the extensive ...
Movement 1: Langsam (Adagio) - Allegro risoluto, ma non troppo
First movement.Moves from B minor (introduction) to E minor. The movement is in sonata form. It begins with a slow ...
Movement 1: Langsam, schleppend; Immer sehr gemachlich
Very restrained throughout, D major. The first movement is in modified sonata form, with a substantially slow introduction. The introduction ...
Movement 1: Lied 1: Hymnus: Veni Creator Spiritus
Veni Creator Spiritus ("Come Creator Spirit") is a hymn believed to have been written by Rabanus Maurus in the 9th ...
Movement 1: Trauermarsch (Funeral March). In gemessenem Schritt. Streng. Wie ein Kondukt
The both first movements are in the tragic and gloomy keys of c-sharp minor resp. a minor; The only programmatic ...
The andante provides a respite from the intensity of the rest of the work. Its main theme is an introspective ...
Movement 2: Andante moderato. Sehr gemächlich
Very leisurely. Never hurry. Two sections alternate in this idyllic movement, so different in style, atmosphere and scale from the ...
The second movement is a series of dances, and opens with a rustic Ländler, which becomes distorted to the point ...
Movement 2: In gemächlicher Bewegung
Scherzo.Violin solo. Leisurely moving, without haste. Scherzo and Trio. The second movement is a scherzo that features a part for ...
Moving strongly, but not too quickly, restrained, a trio Ländler. The second movement is a modified minuet and trio. Mahler ...
Movement 2: Lied 2: Schlussszene aus Goethe’s Faust
Part II: Closing scene from Goethe's Faust The second part of the symphony follows the narrative of the final stages ...
Movement 2: Nachtmusik. Allegro moderato
Nachtmusik I.Andante, C major/minor. The movement opens with horns calling to each other. The second horn is muted, however, to ...
Movement 2: Scherzo. Schnelle Viertel
522 bars drafted in orchestral and short score. The second movement, the first of two brilliant Scherzo movements, consists of ...
Movement 2: Stürmisch bewegt, mit größter Vehemenz
Moving stormily, with the greatest vehemence.a minor. The second movement starts tumultuously and pushing forward in the key of a ...
"What the Flowers in the Meadow Tell Me" In the tempo of a minuet. A major. Mahler dedicated the second ...
Movement 3: Comodo. Scherzando. Ohne Hast
"What the Animals in the Forest Tells Me" Comfortably, like a scherzo. C minor to C major. The third movement, ...
Movement 3: Feierlich und gemessen, ohne zu schleppen
Solemnly and measured, without dragging, very simple, like a folk-tune, once again somewhat more agitated, as at the start. A ...
Movement 3: In ruhig fliessender Bewegung
Scherzo bases on Gustav Mahlers' Lied 6: Des Antonius von Padua Fischpredigt (Des Knaben Wunderhorn, 1892-1898). See Arnold Bocklin (1827-1901) ...
Movement 3: Purgatorio. Allegretto moderato
170 bars drafted in short score, the first 30 bars of which were also drafted in orchestral score. The Purgatorio ...
Movement 3: Rondo-Burleske: Allegro assai. Sehr trotzig
The third movement, in the form of a rondo, displays the final maturation of Mahler's contrapuntal skills. It opens with ...
Movement 3: Ruhevoll (poco adagio)
Peacefully, somewhat slowly. Theme and variations. The third movement is a solemn processional march cast as a set of variations ...
Movement 3: Scherzo
The scherzo marks a return to the unrelenting march rhythms of the first movement, though in a 'triple-time' metrical context ...
Movement 3: Scherzo. Kräftig, nicht zu schnell
D major.Horn solo. As second part of the symphony follows the above mentioned third movement, the Scherzo. Totally unexpected, the ...
Movement 3: Scherzo. Schattenhaft
Scherzo.D minor - The German marking ´Schattenhaft´ means ´Shadowy´. Flowing but not too fast. There is an undercurrent of night ...
Movement 4: "Urlicht". Sehr feierlich, aber schlicht
Also in Des Knaben Wunderhorn, 12 songs (1892-1898) - Lied 11: Urlicht Primeval Light. Very solemn but simple (In the ...
Movement 4: Adagietto. Sehr langsam
F major.Willem Mengelberg (1871-1951) wrote notes on "Spitzentechnik" on the front cover of the score of symphony no. 5, a ...
Movement 4: Adagio. Sehr langsam und noch zuruckhaltend
The final movement, marked zurückhaltend ("very slowly and held back"; literally, "reservedly"), opens with only strings. Commentators have noted the ...
Movement 4: Finale (Allegro moderato)
The last movement is an extended sonata form, characterized by drastic changes in mood and tempo, the sudden change of ...
Movement 4: Lied 1: Sehr langsam!  Misterioso: O Mensch! gib Acht!
"What Man Tells Me" Very slowly, mysteriously. A minor. "Midnight song". At this point, in the sparsely instrumentated fourth movement, ...
Movement 4: Lied: Das himmlische Leben (Sehr behaglich)
Was originally part of Des Knaben Wunderhorn. See: Introduction Des Knaben Wunderhorn, 12 songs number 3. Very comfortably. Strophic. The ...
Movement 4: Nachtmusik. Andante amoroso
Nachtmusik II.F major. The fourth movement (the second 'Nachtmusik') contrasts with the first in that it illustrates a more intimate ...
Movement 4: Scherzo. Allegro pesante. Nicht zu schnell
About 579 bars drafted in short score. The scene is now set for the peculiarities of the second scherzo, which ...
Movement 4: Sturmisch bewegt
Energisch, Stormily agitated - Energetic. The fourth movement is by far the most involved, and expansive. It brings back several ...
Movement 5: "Aufersteh'n". Im Tempo des Scherzos. Wild herausfahrend
At the same speed as the Scherzo. In a wild outburst. The Scherzo's "cry of despair" is recalled, then answered ...
Movement 5: Finale. Langsam, schwer
400 bars drafted in short score. The emotional weight of the symphony is resolved by the long final movement, which ...
Movement 5: Lied 2: Lustig im Tempo und keck im Ausdruck: Bimm bamm. Es sungen drei Engel einen Sussen Gesang
"What the Angels Tell Me" Cheerful in tempo and cheeky in expression. F major. The cheerful fifth movement, "Es sungen ...
Movement 5: Rondo-Finale
Finale.C Major. Boisterous timpani joined by blazing brass set the scene for the riotous fifth movement. The long, arduous first ...