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Tag Archives:
Symphony No. 2 – Resurrection
Introduction Symphony No. 2
"Resurrection" (in German "Auferstehungs-symphonie"). The ink was barely dry on the score of his First Symphony in 1888 when Mahler ...
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Listening Guide – Movement 1: Allegro maestoso: Mit durchaus ernstem und feierlichem Ausdruck
Transcript Mahler begins the first movement virtually in the same manner as he opened Der Spielmann from Das Klagende Lied ...
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Listening Guide – Movement 2: Andante moderato. Sehr gemächlich
Transcript The grace and delicacy of the second movement seem Worlds Apart from the terrifying power and tragic character of ...
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Listening Guide – Movement 3: In ruhig fliessender Bewegung
Transcript Three particular aspects of the scherzo movement should be mentioned at the outset. First, Mahler uses one of his ...
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Listening Guide – Movement 4: “Urlicht”. Sehr feierlich, aber schlicht
Transcript Mahler inserted early, one of the original wonder horn songs, as both a brief Intermezzo between the scherzo in ...
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Listening Guide – Movement 5: “Aufersteh’n”. Im Tempo des Scherzos. Wild herausfahrend
Transcript What kind of finale could possibly do justice? Not only to the oil inspiring words of the text, but ...
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Listening Guide – Symphony No. 2
By Lew Smoley ...
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Listening Guide – Movement 4: Finale (Allegro moderato)
Cyclical connections with earlier movements that appear in the final movement are more extensive and more subtly integrated into the ...
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Listening Guide – Symphony No. 2 Intro
Transcript Mahler wrote elaborate programs for this Symphony long after he had finished it. These programs are posted on our ...
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Movement 1: Allegro maestoso: Mit durchaus ernstem und feierlichem Ausdruck
Based on the poem Todtenfeier by Adam Mickiewicz. With deeply serious and solemn expression. With this funeral march and the ...
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Movement 2: Andante moderato. Sehr gemächlich
Very leisurely. Never hurry. Two sections alternate in this idyllic movement, so different in style, atmosphere and scale from the ...
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Movement 3: In ruhig fliessender Bewegung
Scherzo bases on Gustav Mahlers' Lied 6: Des Antonius von Padua Fischpredigt (Des Knaben Wunderhorn, 1892-1898). See Arnold Bocklin (1827-1901) ...
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Movement 4: “Urlicht”. Sehr feierlich, aber schlicht
Also in Des Knaben Wunderhorn, 12 songs (1892-1898) - Lied 11: Urlicht Primeval Light. Very solemn but simple (In the ...
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Movement 5: “Aufersteh’n”. Im Tempo des Scherzos. Wild herausfahrend
At the same speed as the Scherzo. In a wild outburst. The Scherzo's "cry of despair" is recalled, then answered ...
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