Compositions

Explore our curated collection of Mahler resources—carefully preserved and organized for researchers, musicians, and enthusiasts seeking deeper insights into his life and work.

(1904-1905) Symphony No. 7 in B

Movement 3: Scherzo. Schattenhaft

Scherzo. D minor – The German marking ´Schattenhaft´ means ´Shadowy´. Flowing but

(1904-1905) Symphony No. 7 in B

Movement 2: Nachtmusik. Allegro moderato

Nachtmusik I. Andante, C major/minor. The movement opens with horns calling to

(1904-1905) Symphony No. 7 in B

Movement 1: Langsam (Adagio) – Allegro risoluto, ma non troppo

First movement. Moves from B minor (introduction) to E minor. The movement

(1903-1905) Symphony No. 6 in A

Movement 4: Finale (Allegro moderato)

The last movement is an extended sonata form, characterized by drastic changes

(1903-1905) Symphony No. 6 in A

Movement 3: Scherzo

The scherzo marks a return to the unrelenting march rhythms of the

(1903-1905) Symphony No. 6 in A

Movement 2: Andante moderato

The andante provides a respite from the intensity of the rest of

(1903-1905) Symphony No. 6 in A

Movement 1: Allegro energico, ma non troppo

The first movement, which for the most part has the character of

(1901-1904) Kindertotenlieder, 5 songs

Lied 5: In diesem Wetter

  In diesem Wetter In diesem Wetter, in diesem Braus, Nie hätt’

(1901-1904) Kindertotenlieder, 5 songs

Lied 4: Oft denk’ ich, sie sind nur ausgegangen

Score Kindertotenlieder – Lied 4: Oft denk’ ich, sie sind nur