Giuseppe Martucci (1856-1909).

  • Profession: Conductor, composer, pianist.
  • Residences: Naples.
  • Relation to Mahler:
  • Correspondence with Mahler:
  • Born: 06-01-1856 Capua, Italy.
  • Died: 01-06-1909 Napels, Italy.
  • Buried: 00-00-0000 Unknown.

Giuseppe Martucci was an Italian composer, conductor, pianist and teacher. As a composer and teacher he was influential in reviving Italian interest in non-operatic music. As a conductor he helped to introduce Wagner’s operas to Italy and also gave important early concerts of English music there.

Martucci was born at Capua, in Campania. He learned the basics of music from his father, Gaetano, who played the trumpet. A child prodigy, he played in public on the piano when only eight years old. From the age of 11, he was a student at the Naples Conservatory, on the recommendation of professor Beniamino Cesi, the latter being a former student of Sigismond Thalberg. From Paolo Serrao, Martucci acquired his initial training in composition; his own composition students later on, when he worked and taught at Bologna, included Ottorino Respighi. He died in Naples in 1909. His son Paolo, born in Naples in 1883, also became a pianist of note, briefly teaching at the Cincinnati Conservatory

Martucci’s career as an international pianist commenced with a tour through Germany, France and England in 1875, at the age of 19. He was appointed piano professor at the Naples Conservatory in 1880, and moved to Bologna in 1886, replacing Luigi Mancinelli there; in 1902 he returned for the last time to Naples, as director of the Royal Conservatory of Music.


It was in 1881 that Martucci made his first conducting appearance. One of the earliest Italian musicians to admire Wagner, Martucci introduced some of Wagner’s output to Italy. He led, for example, the first Italian performance of Tristan und Isolde in 1888 in Bologna. Nor did his enthusiasm for foreign composers end with Wagner’s work. As well as performing Charles Villiers Stanford’s 3rd (“Irish”) Symphony in Bologna in 1898, he also conducted perhaps the only concert of all-British orchestral music on the European continent in the whole period 1851–1900. What is more, he included music by Brahms, Lalo, Goldmark and others in his programs.


Martucci began as a composer at the age of 16, with short piano works. He wrote no operas, which was unusual among Italian composers of his generation, but instead concentrated on instrumental music and songs, producing also an oratorio, Samuel.

Martucci was championed by Arturo Toscanini during much of the latter’s career. The NBC Symphony Orchestra performed a number of Martucci’s orchestral works in 1938, 1940, 1941, 1946, and 1953; although the performances were preserved on transcription discs, none was approved for commercial release by Toscanini. NBC musical director Samuel Chotzinoff, in his 1956 book “Toscanini–An Intimate Portrait”, said that every time the Maestro proposed scheduling Martucci’s works, certain orchestra members and NBC authorities objected; but the conductor was not to be deterred. Some Toscanini biographers (including Mortimer Frank and Harvey Sachs) have questioned the merit of the compositions and indicate that they do not care for them, speculating that Toscanini may have performed them out of a sense of duty. But enthusiasts of Martucci have no difficulty in understanding the conductor’s advocacy.

Gian Francesco Malipiero said of Martucci’s second symphony that it was “the beginning of the rebirth of non-operatic Italian music.” Martucci was an instrumentalist pur sang, taking ‘absolute music’ as his highest goal.

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