Compositions

Explore our curated collection of Mahler resources—carefully preserved and organized for researchers, musicians, and enthusiasts seeking deeper insights into his life and work.

(1911) Symphony No.10 in F#

Movement 5: Finale. Langsam, schwer

400 bars drafted in short score. The emotional weight of the symphony

(1911) Symphony No.10 in F#

Movement 4: Scherzo. Allegro pesante. Nicht zu schnell

About 579 bars drafted in short score. The scene is now set

(1911) Symphony No.10 in F#

Movement 3: Purgatorio. Allegretto moderato

170 bars drafted in short score, the first 30 bars of which

(1911) Symphony No.10 in F#

Movement 2: Scherzo. Schnelle Viertel

522 bars drafted in orchestral and short score. The second movement, the

(1911) Symphony No.10 in F#

Movement 1: Adagio

275 bars drafted in orchestral and short score. The very opening of

(1899-1901) Ruckert-Lieder, 5 songs

Lied Ruckert 5: Liebst du um Schoenheit

The most traditional of the songs was the last composed, “Liebst du

(1899-1901) Ruckert-Lieder, 5 songs

Lied Ruckert 4: Ich bin der Welt abhanden gekommen

The poetic theme of “Ich bin der Welt abhanden gekommen,” one of

(1899-1901) Ruckert-Lieder, 5 songs

Lied Ruckert 3: Um Mitternacht

Um Mitternacht moves from the most brilliant day to deepest night, and

(1899-1901) Ruckert-Lieder, 5 songs

Lied Ruckert 2: Ich atmet’ einen linden Duft!

Ich atmet’ einen linden Duft is perhaps unique in musically evoking a