- Profession: Soprano.
- Relation to Mahler: Worked with Gustav Mahler.
- Correspondence with Mahler:
- Born: 30-06-1877 Zaskaczewo, Poland.
- Died: 31-12-1962 London, England.
- Buried: 00-00-0000
- 1908 Opera New York 07-02-1908.
- 1908 Opera Philadelphia 11-02-1908.
- 1908 Opera New York 19-02-1908.
- 1908 Opera New York 27-02-1908.
- 1908 Opera New York 04-03-1908.
- 1908 Opera New York 07-03-1908.
- 1908 Opera New York 20-03-1908.
- 1908 Opera Philadelphia 24-03-1908.
- 1908 Opera New York 26-03-1908.
- 1908 Opera New York 01-04-1908.
- 1908 Opera Boston 08-04-1908.
- 1908 Opera New York 14-04-1908.
- 1908 Opera New York 16-04-1908.
- 1909 Concert New York 08-12-1909.
- 1911 Concert New York 17-01-1911 – Symphony No. 4.
- 1911 Concert New York 20-01-1911 – Symphony No. 4.
Bella Alten was an operatic soprano who performed at the Metropolitan Opera House (39th St) during the early 1900s. Bella Alten was born in Zaskaczewo, Poland. She studied with Gustav Engel and Joachim at the Imperial Conservatory in Berlin, and later with Aglaja Orgeni in Dresden. Her first appearance in opera was as Aennchen in Der Freischütz in 1897 after which engagements followed in Berlin, Brunswick, Cologne and London. She was singing Cherubino in Marriage of Figaro, Nedda in Pagliacci and Eva in Die Meistersinger von Nürnberg under Hans Richter (conductor) when Heinrich Conried (then the Metropolitan Opera’s General Manager) heard her at the Covent Garden and engaged her for the Met.
Her New York debut took place in November 1904 as Cherubino in The Marriage of Figaro in a cast that included Emma Eames, Marcella Sembrich and Antonio Scotti.
During her nine seasons at the Metropolitan (1904–1908 and 1909–1914) she sang 31 different roles and a total of 426 performances. She appeared in casts that included such singers as Enrico Caruso, Frances Alda, Pol Plançon, Nellie Melba, Emmy Destinn, Ernestine Schumann-Heink, Pasquale Amato, Olive Fremstad, Louise Homer, and Geraldine Farrar, among others.
Her operatic career included six Metropolitan premiere performances – Adele in Die Fledermaus (1905), Gretel in Hänsel und Gretel (opera) (1905), Saffi in Der Zigeunerbaron (1906), Olga in Fedora (opera) (1906), Columbina in Le Donne Curiose (1912), and Lisetta in L’amore Medico (1914).
In November 1905 when she sang Gretel in the premiere Metropolitan performance of Hänsel und Gretel, the composer Engelbert Humperdinck was in the audience. This opera received 11 performances that first season and was selected by Theodore Roosevelt’s wife as a benefit for the Legal Aid Society. Alten sang Gretel in this opera every season she was with the Met (77 times.) The one season she was not there the opera wasn’t presented. Her other most frequently performed roles were Musetta in La Bohème (68 times), and Nedda in Pagliacci (34 times).
From 1908 to 1909, Alten went to Braunchweig, Germany where she created Madama Butterfly for that city. She also appeared in Bayreuth. Her only recordings date from this period; three selections from Madama Butterfly and the Ballatella from Pagliacci recorded for the Grammophone Company and all sung in German.
Alten also appeared on Broadway as Maid Marion in Reginald De Koven’s Robin Hood with Wallace Hyde and Florence Wickham. This opened May 6, 1912 at the New Amsterdam Theatre and ran for 64 performances.The hit song from this work, Oh Promise Me, is still heard frequently at weddings today.
Bella Alten (1877-1962) about earthquake.
During her Metropolitan career in 1912, Bella Alten married Hermann Deri, an Austrian State Banker, and became Bella Alten-Deri. She returned to Vienna and continued to sing at both the Wiener Hofoper and Volksoper. She gave concerts and radio broadcasts as late as 1936. When the Nazis came to power in Austria, she and her husband moved to London where she died December 31, 1962 following her husband’s death in 1941.