- Profession: Cornetist, conductor, composer.
- Residences: Lyon, Paris
- Relation to Mahler:
- Correspondence with Mahler:
- Born: 28-02-1825 Lyon, France.
- Died: 08-04-1889 Paris, France.
- Buried: Monaco cemetery, Monaco ville, Monaco.
Joseph Jean-Baptiste Laurent Arban was a cornetist, conductor, composer, pedagogue and the first famed virtuoso of the cornet à piston or valved cornet. He was influenced by Niccolò Paganini’s virtuosic technique on the violin and successfully proved that the cornet was a true solo instrument by developing virtuoso technique on the instrument.
He was born in Lyon, France, one of the ten children of Simon Arban, artificier. An older brother was the balloonist Francisque Arban.
He studied trumpet with Francois Dauverné at the Paris Conservatoire from 1841 to 1845. He was appointed professor of saxhorn at the École Militaire in 1857, and became professor of cornet at the Paris Conservatoire in 1869, where Merri Franquin was among his students. He published his Grande méthode complète pour cornet à pistons et de saxhorn in Paris in 1864. This method, which is often referred to as the “Trumpeter’s Bible,” is still studied by modern brass players. His variations on The Carnival of Venice remains one of the great showpieces for cornet soloists today. “Fantasie Brilliante” also continues to be frequently performed and recorded.
Arban apparently made a phonograph cylinder recording for the Edison Company shortly before his death. In a newspaper from Finland, Helsinki’s Hufvudstadsbladet, (no. 96, from 11.4.1890, page 2), Arban’s recording is mentioned: “Among the phonograms a particular one must be mentioned: solo on cornet a piston, played by the famous French virtuoso monsieur Arban called “Fanfare d’Edison”. Arban died in Paris on April 8, 1889.
The Arban Method book is available by various publishers, with Carl Fischer and Alphonse Leduc being the most prominent. In 1982 Carl Fischer released a version that is annotated by Claude Gordon, noted pedagogue. The 1982 Carl Fischer version restores the original text and designates the previous revisions by Walter Smith and Edwin Franko Goldman. Then, Claude Gordon makes comments in the footnotes for clarification and cross referencing supporting material. Arban’s original text did not advocate many things that are purported by recent teachers and this edition is useful for historic accuracy.