Riccardo Martin (1874-1952).

  • Profession: Tenor.
  • Relation to Mahler: Worked with Gustav Mahler.
  • Correspondence with Mahler:
  • Born: 18-11-1874 Hopkinsville, Kentucky, America.
  • Died: 11-08-1952 New York, America.
  • Buried: 21-07-1964 (!), Lakeview Cemetery, New Canaan, Connecticut, America. Grave L-8.
  1. 1910 Concert New York 01-02-1910.

Also: Hugh Whitfield Martin.

Born Hugh Whitfield Martin in Hopkinsville, Kentucky, Martin began his career at Columbia University studying music composition under Edward MacDowell. It was while studying at Columbia that Martin’s vocal talents were discovered. In 1901 he was granted an endowment by industrialist Henry Flagler to study to further his vocal studies in Paris with Giovanni Sbriglia, Jean de Reszke and Léon Escalaïs. Martin later completed his studies with Vincenzo Lombardi in Florence and Beniamino Carelli in Naples.

He debuted as Faust in Nantes in 1904. Two years later he made his American debut in New Orleans, singing with the visiting San Carlo Opera. Martin bowed at the Metropolitan Opera on November 20, 1907 in Mefistofele; the performance also marked the American debut of Fyodor Chaliapin.

Martin remained with the Metropolitan through the 1914-15 season, appearing in numerous leading tenor roles; he was among the first American-born leading men the company employed. He returned for the 1917-18 season. During his tenure at the Met, he created the lead tenor roles in three American operas: Walter Damrosch’s Cyrano, Horatio Parker’s Mona, and Frederick Shepherd Converse’s The Pipe of Desire. After leaving the company he appeared with numerous companies throughout America and Europe, and spent three seasons with the Chicago Civic Opera. Martin died in New York City in 1952.

Riccardo Martin (1874-1952).

Martin is known to have married at least three times according to newspaper accounts and vital records. He first married in 1899, to Elfrida Hildegarde Klamroth, a fellow opera singer more widely known by the stage name Ruano Bogislav. They had one child, Beth Martin, commonly and professionally known as Bijie Martin. The couple divorced before 1920, largely due to career differences. Martin’s 1923 marriage to aspiring actress Jane Grey also ended in divorce. His last known marriage was in 1932, to Allis Beaumont, who has recently become famous as Allis Beaumont Reid in the documentary “Must Read After My Death” (2007).


His real name was Hugh Whitfield Martin. He was granted an endowment which allowed him, in 1901, to go to Paris to study with Giovanni Sbriglia and Jean de Reszke; he later completed his studies with Vincenzo Lombardi in Florence and Beniamino Carelli in Naples, he sang Andrea Chénier at Verona. His first American appearances were at the French Opera House in New Orleans during the 1906-07 season.

Shortly thereafter he made his Metropolitan Opera debut (20 Nov 1907) as Faust in Mefistofele, which also featured the debut of Feodor Chaliapin. He toured with the San Carlo Opera Company and in 1907 made his Metropolitan début as Arrigo Boito’s Faust; he remained with the company until 1915.

Martin appeared in three world premieres of American works at the Metropolitan: Converse’s Pipe of Desire (18 Mar 1909), Parker’s Mona (14 Mar 1912), and Damrosch’s Cyrano (27 Feb 1913). Collectively, those works were only mounted thirteen times at that house. He made his Covent Garden début in 1910 as Pinkerton, also singing Giacomo Puccini’s Des Grieux, Radames, Faust, Cavaradossi, Angel Clare (Frédéric d’Erlanger’s Tess) and, in 1911, Canio and Dick Johnson.

He appeared at Boston and in Chicago (1920–1923) as Radames, Nicias (Thaïs) and Don José. He had a voice of great beauty, though lacking in individuality, and a fine presence, but he suffered comparison with Caruso throughout his career. Martin died in New York City in 1952.

Chronology of some appearances:

  • 1907 New York Metropolitan Opera  Mefistofele (Faust).
  • 1910 London Covent Garden Madama Butterfly (Pinkerton).

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