- Profession: Opera director, singer and composer. Teacher at Conservatory of Vienna.
- Relation to Mahler:
- Correspondence with Mahler:
- Born: 03-01-1853 Hermannstadt, Transylvania (Sibiu), Romania
- Died: 12-07-1918 Vienna, Austria. Aged 65.
- Buried: 14-07-1918 Central cemetery, Vienna, Austria. Grave 59-A-8-23.
Mentioned by Natalie Bauer-Lechner (1858-1921) in her recollections.
Son of Péter Stoll, brother of Karl and Gisela Stoll. Trained by his father. Stoll made his debut in 1869 in Laibach as an actor and then came to as operetta tenor via Bozen (Bolzano), Preßburg and Olmütz (Olomouc) in 1872. Carl Theater. In 1873 he was brought to Graz by E. Kreibig and after he became Dion. of the Prague Dt. Landestheaters had taken on this engagement in 1876 as the 1st lyric tenor. (Debut as Wilhelm Meister in “Mignon” by Ambroise Thomas).
Because of his flexible, nuanced voice and his actor Stoll Skills extraordinary popular, Stoll sang in Prague all the great lyrical roles of Italian, French. and German repertoire, but damaged his voice due to the transition to intermediate or heroic tenor (eg as Assad in “The Queen of Sheba” by Karl Goldmark, Wagner’s Rienzi and Walter von Stolzing), so that he switched to operetta in 1884 had (debut as Symon Rybanowicz in Karl Millöckers “The Beggar Student”).
After a short job at the Theater an der Wien, Stoll was transferred to the Vienna State Opera. He made his debut as Don José. Here he was so successful in 1885 with a production of Louis Maillart’s “The Hermit’s Bell” that he also worked as a director (1889 senior director). has been. In total, Stoll appeared more than 1,300 times in smaller parts (he mastered over 140 roles from bass to tenor). His speaking roles include that of the frog in the first performance of Johann Strauss ’“ Die Fledermaus ”at the Court Opera, which he also directed. From 1892 Stoll was a prospect, 1898-1918 member of the court music band and taught drama at the KdM (or at the Academy for Music and Performing Arts) in 1890-1901 and 1907-18. Presentation, 1890-1895 also declamation.
As President of the Austrian Bühnenver. he earned services to ensure the financial security of its members and tried to bring about new theater legislation. Stoll was u. a. with the professional title, 1900 with the Knight’s Cross of the Franz Joseph Order and 1918 with the Order of the Iron Crown III. Class excellent His brother Karl (Károly) Stoll (1864-1922), also trained by his father, performed as a tenor u. a. in Košice and Szeged (Szeged), traveled with an opera singer. Hungary and Transylvania and worked from 1898 on Budapest theaters.
He also worked as a director and composer of singing gameStoll His sister Gisela (Gizella) Stoll (née Pest, October 12, 1867) was u. a. trained by her father and by K. Pruckner (s. d.) and performed with great success in lyr., but also in juvenile dramatism. Roles and a. 1890-1891 in Innsbruck, then until 1893 (1st dramatic singer) in Regensburg, then in Cologne, Linz and Zurich. Graduated in 1895-1896. As a member of the Damrosch Opera Company, she toured North America on which she sang the major roles in Wagner. After an engagement in Aachen (1897-1899) she almost only made guest appearances on German and Austrian stages.