- Profession: Soprano
- Residences: San Francisco, Sydney, Melbourne, Paris, Vienna
- Relation to Mahler: She joined the Vienna State Opera in 1898 and performed with the company for five years until her deteriorating relationship with its director, Gustav Mahler (1860-1911), resulted in her retirement. Mentioned by Natalie Bauer-Lechner (1858-1921) in her recollections.
- Correspondence with Mahler:
- Born: 06-01-1892 San Francisco, San Francisco County, California, USA.
- Died: 08-11-1935 Belmont, San Mateo County, California, USA. Aged 73.
- Buried: 00-00-0000 Woodlawn Memorial Park, Colma, San Mateo County, California, USA.
Frances Saville (1865-1935), soprano, was born Fanny Simonsen in San Francisco and came to Australia as a child, her parents being the owners of the touring Simonsen Opera Company. She studied singing with her mother, an accomplished soprano, and made her professional debut, aged seventeen, in 1882. She married a businessman named Max Rown in 1888, around which time she was also working as a singing teacher in Sydney. Having performed in productions there and in Melbourne, she left in 1891 to study with Madame Mathilde Marchesi in Paris.
She made her international debut in Gounod’s Romeo and Juliet in Brussels in September 1892, receiving a message of congratulations from Nellie Melba (1861-1931). In 1895, having performed extensively in Europe and the UK, she went to New York for the first of two seasons with the Metropolitan Opera. Her marriage to Rown, who became her manager, ended in divorce in 1896.
She left Austria on the outbreak of World War 1 and briefly returned to Australia. She died in California in 1935.
A lyric soprano, she had a noted turn-of-the-century career in both America and Europe.
Born Fanny Martina Simonsen to an operatic family, she was raised in Australia from an early age and taught to sing by her mother. Taking the name “Saville” from a brief early marriage to her father’s secretary, she first sang in public at an 1882 presentation of Michael Balfe’s “Satanella” then in the late 1880s had a busy recital career in Sydney and Melbourne before departing for Paris to study with mezzo soprano Mathilde Marchesi; Fanny made her ‘formal’ operatic debut on September 8, 1892, at La Monnaie, Brussels, as the tragic title heroine of Charles Gounod’s “Romeo et Juliette”.
She soon took-on the role of Marguerite from the same composer’s “Faust” and then appeared in Russia, Berlin, and Warsaw, along the way enhancing her repertoire with Violetta of Verdi’s “La Traviata” and the doomed title lead of Donizetti’s “Lucia di Lammermoor”. Fanny added two of Verdi’s ‘heavyweight’ parts, Leonora in “Il Trovatore” and Desdemona from “Otello”, which she sang in Monte Carlo opposite Tamagno, to her list before returning to America for her November 18, 1895, Metropolitan Opera debut as Juliette.
While in New York her assignments included Violetta, Micaela in Georges Bizet’s “Carmen”, Elsa of Wagner’s “Lohengrin”, Zerlina from Mozart’s “Don Giovanni”, the lead heroine of Jules Massenet’s “Manon”, Gutrune from Wagner’s “Gotterdammerung” and Alice Ford of Verdi’s “Falstaff”; begining in 1898 Fanny was a regular at the Vienna Court Opera (then, Hofoper) where she became a favorite of music director Gustav Mahler.
For awhile she divided her time between New York and Vienna but by 1903 she was rich and retired to Vienna after giving her final performance on May 9th. in Prague as Violetta. Forced from Austria by the onset of World War I she lived in Australia for a time before relocating to Northern California where ill health relegated her to a nursing facility in her final years. Fanny cut a number of records which have been preserved and was the aunt of soprano Frances Alda. Some sources give her year of birth as 1865.