- Chronology: Year 1905
- Location: Gesellschaft der Musikfreunde (Musikverein, Musikvereinsplatz No. 1)
- Nature: Extra concert of the Vereinigung schaffender Tonkunstler
- Program: All Mahler program. “Lieder und Gesange” with orchestra
- Composition Mahler:
- Des Knaben Wunderhorn
- Lied 1: Der Schildwache Nachtlied
- Lied 1: Revelge
- Lied 2: Der Tamboursg’sell
- Lied 2: Verlor’ne Muh!
- Lied 3: Trost im Ungluck
- Lied 4: Wer hat dies Liedlein erdacht?
- Lied 6: Des Antonius von Padua Fischpredigt
- Lied 7: Rheinlegendchen
- Lied 8: Lied des Verfolgten im Turm
- Lied 10: Lob des hohen Verstandes (Premiere)
- Kindertotenlieder
- Ruckert-Lieder
- Lied Ruckert 1: Blicke mir nicht in die Lieder
- Lied Ruckert 2: Ich atmet’ einen linden Duft!
- Lied Ruckert 3: Um Mitternacht
- Lied Ruckert 4: Ich bin der Welt abhanden gekommen
- Soloist: Marie Gutheil-Schoder (1874-1935), Anton Moser (1872-1909), Fritz Schrodter (1885-1924), Friedrich Weidemann (1871-1919)
- Conductor: Gustav Mahler (1860-1911)
- Orchestra: Vienna State Opera Orchestra
- Chorus: No
- Concert number: c174
- Notes: World premiere. The great success of the preceding concert 1905 Concert Vienna 29-01-1905 – Des Knaben Wunderhorn, Kindertotenlieder, Ruckert-Lieder (Premieres), called for a second hearing, expanded with three new songs, and in a different order.
1905 Concert Vienna 03-02-1905 – Des Knaben Wunderhorn, Kindertotenlieder, Ruckert-Lieder. Program.
Year 1905. People around a table. Death symbolically picks up the string playing. Hermann Bahr (1863-1934), Gustav Mahler (1860-1911) (middle) and Arnold Schoenberg (1874-1951) (sitting). Maybe made after 1905 Concert Vienna 03-02-1905 – Des Knaben Wunderhorn, Kindertotenlieder, Ruckert-Lieder. Charcoal, wood panel, drawing unsigned and undated. Musee de la ville, Paris. Related to Symphony No. 6. Also suggested 04-12-1904 (Year 1904).
On February 3, 1905, a concert took place in Vienna with works exclusively by Mahler. This program is a repeat of the January 29 concert, which was very well received. The program is expanded with four additional songs: Verlor’ne Müh, Lob des hohen Verstandes und Dort oben am Berg [Wer hat dies Liedlein erdacht]).
After the concert, Mahler meets Anton Webern for the first time in the Anna-hof restaurant; they speak to each other for several hours about his ideas and views. Webern would later say: “I immediately realized that I was dealing with a truly great personality.”
